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A body sherd from a closed shape based on the roughness of the interior. A black matt painted net pattern between black bands. Fine with few small red andblack angular inclusions and occasional small voids ... Blegen dates MH. It could be LH as style continues into LH I. See Wohlmayer 2007 fig 8.a-b, p.57 and Gauss/Smetana 2007 P.78 XXXVIII.1 |
The rim of a large open vessel, most likely a Krater. Predominantly undecorated with evidence of bars in brown vertical bars on rim. Pale Buff slip. Coarse Pink buff clay, frequentangularredto black inclusions ... Based on a parallel from Eutresis and its 'hawksbill'overhang (Goldman) this sherd is possibly LH I. More generally it should be dated MH LH I. Cf. Davis 1979 fig 5.5. |
Rim of a goblet/ kantharos see rutter 1993 Figs 7-8 for shape, 7.1 for grooved rim Thick horizontal zig zag and rim band out. Two thick horizontal bands all in mattpaint. Coarse green buff clay common ... Rutter 1993 7.1 would put in late MH, but could go into LH I we don't have the contextual information to be precise here. |
a single body sherd of a closed shape, probably the neck of a jug. Buck 1966 motif 57. Continuous loops pendant to rim, sprial in body - Buck 1966 motif 99 3 lower bodies. Fine Clay, very rare white inclusions ... There is a parallel in Mylonas - so likely MH rather than LH but type could continue. |
Likely an open shape, but not entirely clear. Buck 1966Motif 73.B cf. Eutresis 168.235.4, Korakou P.29 40/41 Eutresis p.153 211.8, Lerna 1955 Hesperia repot Pl 76.
Way lines in vertical bands. Cream ... Late MH to LH I. impossible to say more with no context. |
This sherd is from a Straight sided cup, eg. Buck 1966 Shape A13. We cannot tell if it is a Keftiu cup as not enough is preserved of the lower body to know if there is a midrib. Linear matt painted bands ... This could be as late as LH I. |
Base sherd of an open shape. It could be a type 3 Vapheio cup, but is matt painted. It could also be a ''panelled'/ semi-ovoid cup. Linear Matt Painted bands Fine palebuff clay, very few to no inclusions ... Blegen Class 2 matt painted. Likely late MH or LH I due to shape. |
A body sherd of what seems to be a cup. Exact curvature with Korakou cp.3358 suggests it is a semiovoid cup. Three diagonal lines. Buck motif 64b. Cf. Korakou p.24, 34.6 Lerna, Hesperia 25, pl.40.6 Fine ... Parallels are MH but could be later, but cannot say without contextual information. |
Two joining sherds that form what is clearly the neck of a closed shape, most likely a jug. Mattpainted horizontal bands around neck with dots and flying V motif between them Green Buff unslipped clay ... This is a Blegen Class 2 Matt Painted sherd. It could be as late as LH I, based on Davis 1979 parallels from Korakou. |
A single spout fragment Dark on light matt painted alternating bands. Fine buff clay with no visible inclusions Fragment. 1 spout HM ... Could be LH I as there is another example in the Davis Inventoried material from Korakou, but Dark on light non lustrous begins in late MH - cf. Kea V. |
shoulder bands in black matt paint. Two rows horizontal dots between 2 horizontal bands. Buck 1966 motif 132 below. Fine Green Clay no visible inclusions Fragment. one sherd ... MP wares like this are late MH to LH I. See Buck 1966, or Davis 1979. |
Likely the shoulder of a jug/jar Tworows of dots between black gands seem to continue below See Korakou inventoried for parallels. Green buff, fine, rare grey black small inclusions. Fragment. Single body ... Blegen Class 2. Dated MH. Could go later as Davis 1979 indicates MPW does not finish in MH. |
Single body sherd likelyfrom the shoulder of a closed jug or jar Triple horizontal band two rows of double dots framed by bands Fine Pale buff clay very rare black inclusions Fragment. 1 sherd |
A single body sherd. Chevrons with hanging lines. Cf. Buck 1966 p.262, Motif 50. Fine with small black rare inclusions. Rare small voids. Fragment. 1 body sherd ... Blegen Class 2 Matt painted MH, could push later though. |
The handle of a rim handled cup. See Buck 1966, shape A6. There is a complete example from the North Cemetery on display in the Museum. Matt Painted horizontal bands on handle - cf. Kirra Pl. 48, 59 and ... An exact parallel from the North Cemetery suggests this is MH in date |
The body sherd of a closed shape possibly the shoulder. hatched circles in black matt paint Green fine clay with no inclusions visible Fragment. 1 body sherd handmade ... could be LH I |
Matt painted geometric/linear designs Orangey grey fine clayt with occasional red black angular smallinclusions Fragment. 1 body sherd |
Long Rim of a basin or krater. Pale borwn slip. Bichrome decoration red black non burnished. Black band under rim, rimissolidly painted inred, groov below rim paintedred. Reddish-Brown pin point shiny ... Parallels from Rutter 1993 but also Davis 1979. This is likely late MH but Matt Painted kraters continue into LH I. |
A body sherd from a closed shape Slipped andburnished. Red band bordered by tw2o very narrow black bands. Fine reddish fabric with rare tiny white inclusions. Fragment. 1 body sherd wheelmade ... Davis 1979. These Polychrome vesses are LH I. |
A body sherd. Nothing morecan be said about shape, other than the loops could suggest a cup. No real curvature prserved though. Mainland polychrome style. Highly burnished Red surface, with pendant loops ... Originally dated MH in Zygouries, as Davis, 1979, points out the Mainland polychrome style is in fact almost diagnostic of LH I. Cf. Rutter 1989 |
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