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| Alabastron with round bottom, ovoid body with max. diam. below median, tapering to narrow neck, horziontal outturned rim. Small pierced lug handle below rim. Cock with spread wings, details incised, red ... |
| Olpe with ovoid body, max. diam. near median, tapering to neck; ridge at juncture to neck. Neck wide flaring. Low bands of rays at base, 3 zones with animal figures on body with wide black band below ... MPC II - LPC |
Small fragment from lower body of an Early Corinthian olpe. Tips of rays at bottom, broad black band, then at least three animal friezes separated by narrow black bands: Bottom: hounds chasing rabbit into ... |
Same as C-1932-193A Same as C-1932-193A Fine buff Corinthian clay. Fragment. Single frgt., preserving part of body. |
Same as C-1932-193A Same as C-1932-193A Fine buff Corinthian clay. Fragment. Single frgt., preserving part of body. |
| Corinthian oinochoe with ovoid body, maximum diameter above median, tapering to narrow cylindrical neck, trefoil mouth; vertical double handle from rim to shoulder. Neck, mouth, and handle glazed. On shoulder, ... |
| Kotyle with flaring ring foot, flat undersurface, steep body wall with nearly straight proile to maximum diameter at or just below fine lip. 2 horizontal bell handles below lip. Black figure style. Foot ... Late Corinthian I, 570-550 BC |
| Oinochoe with low flarign ring foot, flat resting and undersurface. Ovoid body curving into high, rounded shoulder, short wide neck, trefoil rim. Attachment for handle on shoulder. Exterior of foot glazed ... |
| Kotyle with fine flaring ring foot, deep convex body with max. diam. at ca. 0.01 m. below fine lip. 2 horizontal loop handles below lip. Black Figure style. One horizontal glazed line below the lip and ... |
| Aryballos with rounded bottom, ovoid body with max. diam. near bottom, tapering to narrow neck, horizontal outturned rim, small vertical handle attached to top of body and underside of rim. Rim: rosette ... Early Corinthian (610-590?) |
| Aryballos with rounded bottom with small central depression, ovoid body with max. diam. below median, tapering to base of rim, horizontal outturned rim, small vertical handle attached to top of body and ... Early Corinthian (610-590?) |
| Broad kotyle with incurving sides at rim, high, large foot. Black-figure decoration. Two horizontal lines at lip; animal frieze: on each side, one siren with spread wings flanked by two sphynxes. Below ... Late Corinthian I |
| Amphora with wide flaring foot, ovoid body curving continuously into tall neck, outward thickened square rim. Two vertical loop handles attached to max. diam. and mid neck. Wholely black glazed except ... |
| Aryballos. On top of lip, petal pattern, reserved on black background. On sides of lip rosettes reserved on black. On back of handle, female head in profile. On bottom eight-petalled rosette reserved on ... |
| Broad kotyle, incurving sides at rim, large foot. Horizontal loop handles. Black figure style. Interior black; exterior, at lip, two thin bands, then frieze; below frieze, two thin bands, broad black band, ... Late Corinthian I |
| Typical Middle Corinthian oinochoe on ring foot, with flaring body and almost horizontal shoulder. Neck offset from body; trefoil mouth offset from neck (join lines?). Handle grooved on top and sides, ... |
| Ovoid body on ring-foot; neck slightly concave to trefoil mouth; double coil handle from shoulder arches to rim. Animal frieze of deer, panther and goose on shoulder; remainder glazed except for zone of ... Probably towards the end of the Middle Corinthian Period |
| Ovoid body on ring-foot; low verticla neck to trefoil mouth; double coil handle from shoulder arches to rim. Animal frieze around body: goat, panther, goat goose. Tongue pattern on shoulder; ray pattern ... |
| Aryballos with round bottom, globular body (not ovoid), short narrow vertical neck, horizontal rim with undercut lip, 1 vertical strap handle from rim to shoulder. Black whirligig within 2 circumference ... 590-570 B.C. (Lawrence, Amyx) |
| Rounded bottom of alabastron. Decorated with hare to l., with head turned, between lions; incised rosettes. D.A. Amyx: Painter of Palermo 489. Yellow-buff clay, lustrous glaze, added red. Complete profile ... |
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