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Pallas, D.I ... Pratiker (1955) 193-200 ... 1960 |
Pallas, D.I ... Pratiker (1956) 164-178 ... 1961 |
Pallas, D.I ... Pratiker (1957) 95-104 ... 1962 |
Pallas, D.I ... ArchDelt 17:1961-1962 69-78 ... BA1 |
Pallas, D.I ... Pratiker (1961) 137-154 ... 1964 |
Pallas, D.I ... Pratiker (1959) 126-140 ... 1965 |
Pallas, D.I ... Pratiker (1958) 119-134 ... 1965 |
Pallas, D.I ... Pratiker (1960) 144-170 ... 1966 |
Pallas, D.I ... Pratiker (1965) 137-166 ... 1967 |
Pallas, D.I ... BZ 63 69-70 ... 1970 |
Pallas, D.I ... Pratiker (1970) 98-117 ... 1972 |
Pallas, D.I ... Pratiker (1972) 205-250 ... 1974 |
Pallas, D.I ... Pratiker (1976):AA 163-195 ... 1978 |
Pallas, D.I ... 44 37-116 ... 1979 |
Pallas, D.I ... Pratiker (1977) 162-183 ... 1980 |
Pallas, D.I ... FelRav 118 (1979) 93-142 ... 1981 |
Pallas, D.I ... Reallexikon zur byzantinischen Kunst 4 746-811 ... 1990 |
Pallas, D.I ... Studi Antichita Cristiana 1 544-557 |
Papadogiannis, Argyris S.; Tsakoumaki, Marilena C. & Chondros, Thomas G ... Journal of Mechanical Design 132:1 In some ancient Greek drama plays, the stage machine used to bring the gods or the heroes of the tragedy on stage, known with the Latin term deus-ex-machina, was used ... January |
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